{"id":16399,"date":"2022-08-09T23:49:41","date_gmt":"2022-08-09T21:49:41","guid":{"rendered":"http:\/\/shalom.org.pl\/?p=16399"},"modified":"2022-08-24T14:31:01","modified_gmt":"2022-08-24T12:31:01","slug":"classical-concert-webern-wajnberg-mahler-bach-reflections-marcin-zdunik-harmonium-duo-giziewski-jedynecki","status":"publish","type":"post","link":"https:\/\/shalom.org.pl\/en\/classical-concert-webern-wajnberg-mahler-bach-reflections-marcin-zdunik-harmonium-duo-giziewski-jedynecki\/","title":{"rendered":"Classical concert: \u201cWEBERN, WAJNBERG, MAHLER, BACH \u2013 reflections\u201d | MARCIN ZDUNIK \/ HARMONIUM DUO (Giziewski &#038; Jedynecki)"},"content":{"rendered":"<p><strong>Classical concert:<\/strong> <strong>\u201c<\/strong><strong>WEBERN, WAJNBERG, MAHLER, BACH \u2013 reflections\u201d | MARCIN ZDUNIK \/ HARMONIUM DUO (Giziewski &amp; Jedynecki)<\/strong><\/p>\n<p>Line-up: <strong>Marcin Zdunik <\/strong>(cello) and accordion duet <strong>Harmonium Duo<\/strong> featuring:<strong> Hubert Giziewski<\/strong>, <strong>Iwo Jedynecki<\/strong><\/p>\n<p><strong>Concert program:<\/strong><\/p>\n<p>&#8211; Anton Webern \u2013 \u201cLangsamer Satz\u201d<\/p>\n<p>&#8211; Mieczys\u0142aw Wajnberg \u2013 Jewish songs op. 13 (music for the poetry of I. L. Peretz)<\/p>\n<p>&#8211; Gustav Mahler \u2013 \u201cKindertotenlieder\u201d (music for the collection of poems by Friedrich R\u00fcckert, written as the \u201celegy\u201d after the children&#8217;s death)<\/p>\n<p>&#8211; Johann Sebastian Bach \u2013 \u201cDie Kunst der Fuge\u201d (BWV1080) Kontrapunkt no. 1<\/p>\n<p>The concert will open with \u201cLangsamer Satz\u201d (1905), an expressive composition by 21-year-old Anton Webern, who was later consumed by serialism in concise forms. The piece, planned as a part of a composition for string quartet, ultimately remained a stand-alone, influenced by Brahms and early modernism.<\/p>\n<p>It will be followed by Mieczys\u0142aw Weinberg\u2019s Jewish Songs, op. 13 with the poems of Isaac Leib Peretz, who is considered the father of modern Yiddish literature of modernism. In the context of wars, histories of innocent childhood acquire a new meaning. The composer reaches for the simple rhythms of the simple language of children. The composition can be interpreted as a specific memoir of the author, working on trauma &#8211; looking for his space in the realities of the war.<\/p>\n<p>The climax of the concert will be an exceptional piece &#8211; Gustav Mahler\u2019s \u201cKindertotenlieder\u201d in which the author reached for the collection of poems by Friedrich R\u00fcckert, written in 1833-34 as laments on the deaths of children.&nbsp; Therefore, today\u2019s, purely instrumental version is a departure from a very special text, based on concrete, traumatic circumstances.<\/p>\n<p>The culmination of the concert will be \u201cDie Kunst der Fuge\u201d (BWV1080) Contrapunctus 1 \u2013 the last piece by Johann Sebastian Bach, on which he started working a year before his death. For a long time, the \u201cDie Kunst der Fuge\u201d collection was overshadowed by the composer\u2019s other works, and the lack of any information as to for what instrument or instruments it was intended resulted in it being frequently considered as purely theoretical.&nbsp; Respected music theoreticians also did not appreciate this work of Bach. In an analysis of Das wohltemperierte Klavier, Van Bruyck stated that Kunst der Fuge \u201cis not music, but something barbarian, a degeneration into counterpunctual chivaree of a kind.\u201d<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 24px;\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 24px;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-16041\" src=\"http:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Marcin-Zdunik-300x200.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Marcin-Zdunik-300x200.jpg 300w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Marcin-Zdunik-768x513.jpg 768w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Marcin-Zdunik-1024x684.jpg 1024w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Marcin-Zdunik-382x255.jpg 382w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Marcin-Zdunik-350x234.jpg 350w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Marcin-Zdunik.jpg 1920w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/td>\n<td style=\"width: 50%; height: 24px;\"><img decoding=\"async\" class=\"alignnone wp-image-16042\" src=\"http:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Harmonium-Duo-fot-Przemek-Chudkiewicz_Grandessa-300x200.jpg\" alt=\"\" width=\"500\" height=\"333\" srcset=\"https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Harmonium-Duo-fot-Przemek-Chudkiewicz_Grandessa-300x200.jpg 300w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Harmonium-Duo-fot-Przemek-Chudkiewicz_Grandessa-768x512.jpg 768w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Harmonium-Duo-fot-Przemek-Chudkiewicz_Grandessa-1024x683.jpg 1024w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Harmonium-Duo-fot-Przemek-Chudkiewicz_Grandessa-383x255.jpg 383w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Harmonium-Duo-fot-Przemek-Chudkiewicz_Grandessa-350x233.jpg 350w, https:\/\/shalom.org.pl\/wp-content\/uploads\/2022\/08\/Harmonium-Duo-fot-Przemek-Chudkiewicz_Grandessa.jpg 1920w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Today&#8217;s project is an attempt at \u201cfiltering out\u201d the text from the \u201csound base\u201d, assuming, however, that the message of the piece &#8211; its expression &#8211; will maintain its \u201cproper tone.\u201d The listener, in turn, having acquainted themselves with the songs\u2019 content in the written form, may be able to experience their sense, maybe even more profoundly and personally.&nbsp; The performers-authors are cellist <strong>Marcin Zdunik<\/strong>, <strong>Hubert Giziewski,<\/strong> and <strong>Iwo Jedynecki<\/strong>, forming the accordion duo Harmonium Duo, and representing the generation of outstanding young musicians who, in addition to winning spectacular awards in competitions, having a rich repertoire, and appearing in prestigious concert halls, are pursuing new solutions in the field of music performance.<\/p>\n<hr>\n<p><span style=\"font-size: 10pt;\"><strong>The No\u017cyk<\/strong><strong> Synagogue 6 Twarda St.<\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Tickets: 50 PLN, &nbsp;purchases available at: www.ewejsciowki.pl, www.teatr-zydowski.art.pl, in the Audience Office, phone no. +48 22 526 20 34; +48 22 850 64 50 or 51 and in the Jewish Theater box offices at 35 Senatorska St., phone: +48 22 850 64 35 or in the Club of the Command of Garrison in Warsaw, 141a Niepodleg\u0142o\u015bci Ave., phone no.: +48 850 56 56; seats are not numbered, men are obliged to wear headgears<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Classical concert: \u201cWEBERN, WAJNBERG, MAHLER, BACH \u2013 reflections\u201d | MARCIN ZDUNIK \/ HARMONIUM DUO (Giziewski &amp; Jedynecki) Line-up: Marcin Zdunik [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[64],"tags":[120],"class_list":["post-16399","post","type-post","status-publish","format-standard","hentry","category-program-en","tag-concert"],"acf":[],"_links":{"self":[{"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/posts\/16399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/comments?post=16399"}],"version-history":[{"count":3,"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/posts\/16399\/revisions"}],"predecessor-version":[{"id":16723,"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/posts\/16399\/revisions\/16723"}],"wp:attachment":[{"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/media?parent=16399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/categories?post=16399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shalom.org.pl\/en\/wp-json\/wp\/v2\/tags?post=16399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}